Kay Basson

Kay trained at Bretton Hall. Her work for Complicite includes Shun-kin, A Disappearing Number, The Elephant Vanishes and Measure for Measure.

Kay has done sound design at the Young Vic, the Arts Theatre London, the Pleasance Edinburgh and London, Sound Theatre, Soho Theatre, Yvonne Arnaud Theatre, Derby Playhouse, Chichester’s Minerva Theatre and Haymarket Theatre Basingstoke.

She has also worked at the National Theatre, the Royal Court and on Matthew Bourne’s The Car Man.